McClintock, Norah. She
Said/She Saw.
Orca 2011 211p 12.95 978-1-55469-335-1
ms/hs Realistic
Fiction VG-BN
Tegan witnesses a murder of two friends in
the front seat of a car.
Unable to delve into her own mind to help police solve
the crime, she shuts down. Even her best friend refuses to believe her,
leading
her to take surprising steps in the end to help police.
Norah McClintock sure can tell a story!
She creates a duo of sisters who are credible in their
jealousy and anti-relationship, she creates a murder
scenario that is eerie and
unexplainable and finally, she uses originality in her
presentation that the
reader will simply adore! For one, her use of a play-like structure is
intriguing and thought-provoking. Young adults will enjoy figuring out who is
presenting a chapter and where the characters are and
using that information to
help them comprehend the events of the plot as it rolls
forward. For another,
the drama at the end will astound the reader! Older sister Tegan was the sole
witness to a murder of her two male friends who sat in
the front seat of a
vehicle.
Throughout the story, Tegan claims not to have seen anything. Her
younger sister Kelly tries to be a sister to Tegan, but
sibling rivalry clouds
the ever-growing separation between them. When everyone, from the families of
the deceased young men to the townspeople to Tegan’s
school friends to the world
(on Internet) accuse Tegan of withholding information
from the police, she
astonishes the world by going on a social network and
informing everyone that if
the perpetrator of this murder does not come forward, she
will report what she
knows to the police the very next day! In a twist that will surprise everyone,
McClintock gives her main character some spark to end the
book. With careful
reading, there are clues to help the young audience
figure out the perpetrator,
but that doesn’t take away from the enjoyment of the
book. The style and
characters are interesting enough to make it a good read
even if the reader
solves the crime!
Orca Soundings books tell great stories that can be read in
short periods of time, making fast-paced plot development
and characterizations
of the protagonist and antagonist important. McClintock is clearly one of
Orca’s best writers! Squaresky,
Martha
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