Bedard,
Michael. The Green Man. Tundra Books 304p $19.95 978-1-77049-285-1 hs VG-BN Fantasy
In 1987, Bedard published A Darker
Magic, the prequel to The Green Man.
In many ways, The Green Man represents a recycling of the original novel’s
plot. However, The Green
Man demonstrates Bedard’s growth as a writer, with a more polished approach, more
complicated characters, and more engaging prose enhanced with poetry. It is not necessary to have read the earlier
novel to enjoy the new one, but reading both provides an opportunity to compare and contrast, and a chance to see
how both heroine’s lives overlap.
Ophelia (who prefers to be called "O") plans to spend the summer with her eccentric Aunt Emily, poet and
owner of The Green Man bookstore. Upon
her arrival, it is clear to O that Aunt Emily needs help. Emily is run down and vague, and the shop is in
decline. O gradually takes over many duties
at the bookstore, organizing the stock and revitalizing the displays. She cooks, encouraging Emily to follow a more
sensible, healthy diet and give up smoking.
O ventures out into the English town, meeting some memorable
characters and accompanying her aunt to estate sales, where Emily hopes to
someday hit pay dirt.
Emily is plagued by bad dreams, ill
health, and the fear that something terrible will occur on August 8, the
anniversary of a childhood trauma. She is convinced that O will
suffer the same fate as some children who attended a fateful magic show in her youth and then
died. Still, when a local architect’s
last relative invites her to bid on a rare collection of magic books, Emily is convinced that
this will
be The Green Man’s salvation. But as events unfold,
it becomes clear that this opportunity could also be the shop’s undoing.
Bedard weaves poetry and the
importance of poetry throughout the plot. The shop
is haunted by the ghosts of old poets. Emily is an established poet whose shop was once a haven for poets.
O herself is a
blossoming poet. Poetry brings O together
with a mysterious young man who is
also a poet.
Together, O and Emily resurrect a poets’ support group.
More attention might have been devoted to
descriptions of The Green Man. (The shop could qualify as a character of its own in this novel.) It would have been interesting to more thoroughly explore O’s
poetic growth and know more about Emily’s poetry. However, the atmospheric, slightly cinematic
approach will appeal to many readers. Fans of magical realism will want to read this book.
Poetry-Fiction,
Magic-Fiction --Hilary
Welliver
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